A housewife struggles with her husband after he is possessed by a ghost.
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Eight years after fleeing the Congo following his assassination of that country’s minister of mining, former assassin Jim Terrier is back, suffering from PTSD and digging wells to atone for his violent past. After an attempt is made on his life, Terrier flies to London to find out who wants him dead — and why. Terrier’s search leads him to a reunion with Annie, a woman he once loved, who is now married to an oily businessman with dealings in Africa.
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl’s fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother – which only fed Florence’s need to stay in the spotlight.
With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.
In this darkly romantic ghost story, a woman travels to an isolated cabin where she is stalked by an apparition who inhabits her space as his own. With the unexpected arrival of the woman’s boyfriend, the dark spirit’s haunting grows obsessive. Soon the woman begins to exhibit weirdly irrational behavior as the thin line between sanity and possession begins to unravel. Is she battling her inner demons, or is a much darker presence threatening them all?
I believe the idea behind this flick was to show beautiful women getting naked in ludicrous situations, and it achieved this effect. There is plenty of nudity, as well as fun bonus features like casting calls where the women improvise with the director and actors (also getting naked). There is a good spirit to this thing, but one gets the sense that some of the tongue that was supposed to go in the cheek got cut off and left on the cutting-room floor, leaving the movie looking more stupid than anything. There is no sex in this, it is just a whole lot of fun nudity. So, if beautiful women finding any excuse to take off their clothes is your idea of a good time, wrapped in some cheesy space effects and a few good gags, this could be the thing for you. The brunette doing the striptease for the ridiculous, pizza-eating Elvis was the highlight for me. Everyone I’ve talked to who has seen this seems to have their own favorite goofy moment
When stubborn, spotty Kevin and his equally hopeless best friend Perry go on holiday to the party island Ibiza, they see it as their big chance to become superstar club DJs and, more importantly, to lose their virginities. But they aren’t prepared for the interference of top DJ Eyeball Paul, not to mention the embarrassment factor of Kevin’s long-suffering parents.
For Shirin, being part of a perfect Persian family isn’t easy. Acceptance eludes her from all sides: her family doesn’t know she’s bisexual, and her ex-girlfriend, Maxine , can’t understand why she doesn’t tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brother’s betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of pansexual escapades, while trying to decipher what went wrong with Maxine.
Every summer, Jon (Jon Schmidt) gathers ten friends together in his adopted city of Los Angeles to play the Turkey Bowl – bringing a piece of small-town tradition to the urban sprawl – all for the beloved prize for the winning team… a turkey. Friendships flare and fade, jealousy is met with both laughter and pain, old and unrequited love threatens to remain old and unrequited, and all of these undercurrents are revealed in the unique, improvised rhythm of backyard football.