The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
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Literature professor and gambler Jim Bennett’s debt causes him to borrow money from his mother and a loan shark. Further complicating his situation is his relationship with one of his students. Will Bennett risk his life for a second chance?
Modern treasure hunters, led by archaeologist Ben Gates, search for a chest of riches rumored to have been stashed away by George Washington, Thomas Jefferson and Benjamin Franklin during the Revolutionary War. The chest’s whereabouts may lie in secret clues embedded in the Constitution and the Declaration of Independence, and Gates is in a race to find the gold before his enemies do.
After successfully won the Tokyo qualifying tournament, Chihaya and her friends are set to go on to the nationals. As they prepare, Chihaya is faced with new personal issues as her childhood friend and inspiration, Arata, has announced that he has quit competitive karuta. Not only that, but a new rival emerges in the reigning female champion karuta player, Shinobu Wakamiya, a karuta prodigy who became the nation’s and the world’s greatest female karuta player as a 9th grader. All of this forces Chihaya to reexamine her love of the game in the midst of preparing for one of the biggest tournaments of the year.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
A young, white teacher is assigned to an isolated island off the coast of South Carolina populated mostly by poor black families. He finds that the basically illiterate, neglected children there know so little of the world outside their island.